Saturday, 15 April 2017

New magazine with added rope bunnies: The Amorist

'Never get involved in a new publication,' my boss would intone, in the days when old publications were deemed to be safe. We did editing with pencils, rubbers, scissors, glue, a Rotadex full of jokes, and an art department along the carpeted corridor. They had scalpels and a more narcotic glue. The art director was chairman of the Royal Yachting Association. 

We moved on. One of us married the chairman of a big four accountancy firm. One became the Duchess of Buccleuch.

And I got involved in a new publication.



The Amorist is edited by Rowan Pelling, who negotiates the boundaries of taste with zest and refinement.  Billed as 'a romantic, witty and discursive erotic magazine – a flirtatious conversation, designed to appeal to women and men', it's aimed like Cupid's arrow at readers of The Oldie, History Today, The Lady, The Spectator...

Selfridges' window, 2016









My own involvement is a feature written and illustrated by me about drawing shibari for this blog, http://boulevardisme.blogspot.co.uk/. I'm very happy to have it in the launch issue.

PS my former boss was proved right again.






Saturday, 4 March 2017

Anatomie Studio workshop: Miss Eris and MaYa Homerton

Miss Eris and model MaYa Homerton are giving a class on the suspended body at Anatomie Studio in Peckham. Subjects include Anna Bones, Sophia Mindus, Chantal and Niyou Li (who was the first person I drew or even saw in suspension). 





















Friday, 3 March 2017

Bound at the Flying Dutchman, February 2017


I'm pleased to see a Financial Times carrier bag. I just catch the end of the first performance, by Nina Russ and Dutch Dame, seen on screen top left, on stage top right.

 








Also here tonight at the Flying Dutchman in Camberwell are Andrea Ropes and Kitty Rea; Nawasabi Shibari and Verena Venusian. 

















Is this one upside-down?











Saturday, 19 November 2016

The BDSM of Brexit


Mercandbear Fet tying Anna Noctuelle; photo: Fred Hatt

Brexit is remarkably similar to Japanese rope bondage (despite one glaring difference: bondage is consensual).

For example, take this guide by Miss Anna Bones from https://anatomiestudio.com to which I have made only minor alterations:
   
“What is there to actually learn about Brexit?”

It depends! Some people just want to learn some basics so they can have a bit of safe Brexit, others want to become as proficient as they can. If you’re after Brexit fun, then it’s probably not super important to learn about Brexit in suspension, but it’s a very good idea to learn about anatomy, the different kinds of pins and needles you can get, and how to use safety shears. 

Brexit requires good pain processing abilities! It’s especially useful to learn to distinguish ‘good Brexit’ from ‘bad Brexit’, meaning the kinds of Brexit that are not harmful (for example, the Brexit you get after a vigorous workout), and that are harmful (such as any kind of sharp Brexit). This will involve trial and error until your brain is able to recognise when it’s OK to push through a Brexit and when it’s time to tap out.

Anna Noctuelle; photo: Fred Hatt
Which bring us to one super important skill: communication! Perhaps this is the most important part of Brexit: learning how to communicate from inside Brexit. The more specific you can be, the better. This comes with experience – for example, what kinds of Brexit you are feeling, if there are sensations you are not enjoying, if a Brexit needs to be reviewed, etc.

It’s a good idea to learn how to negotiate before doing Brexit, such asking the Brexiteer questions as well as knowing what kinds of important information to disclose. These can include: any Brexit issues you may have (for example, you sprained your ankle), any medication you may be on, the kinds of Brexit you feel like/don’t feel like, or body parts you are not OK having Brexit on.

Anna Noctuelle; photo: Fred Hatt


“What about the Brexiteer?”

There are lots of Brexit styles and different people enjoy different techniques and sensations, so it’s really useful (and also loads of fun) to watch people Brexiting in the community.

Brexit can be intense and very physically demanding – this is especially true of suspension-focused Brexit.
       
Inexperienced people who do not know their Brexit well are less likely to communicate when something is hurting, but Brexiteers rely on feedback because often they must focus on a particular Brexit technique which they are learning, all the while being mindful of others. This is the perfect storm for small nerve injuries. 

"Does this mean I have to be super fit and bendy to do Brexit?"

Nope! Brexit is a diverse activity enjoyed by grown-ups of all ages, all physical compositions, backgrounds, genders and sexes.

It’s about finding the kind of Brexit you enjoy doing and finding people who want to do that with you. Different people have different Brexit thresholds, and the beauty is in this diversity.

In sum, the Brexit world is a lot more diverse that you might think by just googling ‘Brexit’ on your browser!